Brainwave: Common Senses, 2009
Unique box includes:
- 41-page saddle-bound catalog with exhibition texts, essay by Dr. Joseph Ledoux, and curatorial statement by Exit Art Co-founder/Artistic Director Papo Colo
- DVD with video documentation of the exhibition and Somehow, a performance by Trickster Theater
- Exhibition poster
- Full-color images of each of the artists’ works

ISBN 0-913263-53-2

Edition of 100
$30

Charles Juhasz-Alvarado: Complicated Stories, 2009
Unique box includes:
- 38-page saddle-bound catalog with exhibition texts, excerpt of interview with the artist, and curatorial statement by Exit Art Co-founder/Artistic Director Papo Colo
- DVD with video documentation of the exhibition and Still Life, a performance by Trickster Theater
- Exhibition poster
- Full-color images of each of the artist’s works

ISBN 0-913263-54-0

Edition of 100
$30

Electric Lab, 2009
Unique box includes:
- 38-page saddle-bound catalog with exhibition texts and curatorial statement by Exit Art Co-founder/Artistic Director Papo Colo
- DVD with video documentation of the exhibition Exhibition poster
- Full-color images of each of the artists’ works

ISBN 0-913263-51-6

Edition of 100
$30

EPA (Environmental Performance Actions), 2009
Unique box includes:
- 52-page loose-sheet catalog with exhibition texts
- Exhibition poster
- Black and white images of each of the artists’ works
- Full color catalog frontispiece

ISBN 0-913263-48-6

Edition of 100
$30

Love / War / Sex, 2009
Unique box includes:
- 38-page saddle-bound catalog with exhibition texts and curatorial statement by Exit Art Co-founder/Artistic Director Papo Colo
- DVD with video documentation of the exhibition and Cannon Dialogues, a performance by Trickster Theater
- Exhibition poster
- Full-color images of each of the artists’ works

ISBN 0-913263-52-4

Edition of 100
$30

Summer Mixtape Volume 1, 2009
Unique box includes:
- 30-page saddle-bound catalog with exhibition texts and curatorial statement by Exit Art Assistant Curator Lauren Rosati
- Exhibition postcard
- Full-color images of each of the artists’ works

ISBN 0-913263-55-9

Edition of 100
$30

Vertical Gardens, 2009
Unique box includes:
- 37-page loose-sheet catalog with exhibition texts
- Black and white images of each of the artists’ works
- Full color catalog frontispiece

ISBN 0-913263-49-4

Edition of 100
$30

Killing Time, 2008
Unique box includes:
- 74 page book with 4 essays in English and Spanish by the curators (Elvis Fuentes, Yuneikys Villalonga and Glexis Novoa) and Exit Art Co-founder/Cultural Producer Papo Colo
- DVD with video documentation of the exhibition
- DVD of Trickster Theater performance Tropical Area
- Color reproductions of each of the artists’ works



$35

The Hybrid State, 1992
An exhibition in which the artists’ conceptions were revealed through the curator’s installation of each work. A documentary catalog for The Hybrid State exhibition contains statements by the artists and texts by Luis Camnitzer, Papo Colo, Joshua Dector, Jimmie Durham, Guillermo Gómez-Peña, Celeste Olaquiaga, Cecilia Vicuña, Krzysztof Wodiczko and Warren Niesluchowski.

Essays by Krzysztof Wodiczko, Warren Niesluchowski, Luis Camnitzer, Jimmie Durham, Guillermo Gomez-Pena, Celeste Olaguiaga, Papo Colo, Jeanette Ingberman
100 pages



$25

Willie Birch: A Personal View of Urban America, 1992
An overview of Birch’s paintings and sculptures from 1986 to 1992. Catalog for the exhibition includes texts by William Fagaly, an introduction by Papo Colo and interview with the artist.

Essay by William Flagaly
36 pages



$15

The Hybrid State Films, 1991
Contains essays by Cameron Bailey, Daryl Chin, Miriam Rosen, Coco Fusco, and Papo Colo and program notes.

Essays by Cameron Daily, Daryl Chin, Papo Colo, Coco Fusco and Miriam Rosen
20 pages



$15

Hachivi Edgar Heap of Birds: Claim Your Color, 1990
The first comprehensive survey exhibition of Hachivi Edgar Heap of Birds that brought together his work from different media. Essays by Lowery Stokes Sims, Jean Fisher and Papo Colo and texts by Edgar Heap of Birds are included in the catalog.

Essays by Lowery Stokes Sims, Jean Fisher and Papo Colo
32 pages



$15

Internal Exile: New Films and Videos from Chile, 1990
The first exhibition of media art produced by directors living and working inside Pinochet’s Chile to come to the United States, featuring fiction films and experimental video that examined the long-term impact of the seventeen-year dictatorship.



$5

The Green Show, 1990
A conceptual exhibition of paintings and sculpture from the Soviet Union. The catalog contains essays by curator Margarita Tupitsyn, commissioned essays by Russian artists and theorists Sergei Anufriev, Joseph Bakshtein, Andrei Monastyrsky, Pavel Peppershtein, Mikhail Ryklin, and a conversation between Victor and Margarita Tupitsyn.

Essays by Joseph Bakshtein, Mikhail Ryklin, Pavel Pappershtein, Sergei Anufriev and Andrei Monastyrsky
60 pages



$100

Jane Hammond, 1989
A show of new paintings by this emerging artist whose work incorporates an inventory of signs and symbols combined into information-filled abstract paintings. Color catalog includes an essay by poet Robert Creeley.

Essay by Robert Creeley
12 pages



$10

Jimmie Durham: The Bishop’s Moose & the Pinkerton Men, 1989
An installation using found and fabricated objects to challenge ideas about authenticity, culture and "Indianness." Catalog includes essays by Luis Camnitzer, Lucy R. Lippard, Jean Fisher, an interview between Jeanette Ingberman and Jimmie Durham and documentation of the works in the exhibition.

Essays by Luis Camnitzer, Lucy Lippard, Jean Fisher and Papo Colo
32 pages



$15

Juan Sanchez: Rican Structed Convictions, 1989
A survey exhibition of ten years of work that addresses concerns of Puerto Rican independence, nationalism and identity. The color catalog documenting his work includes essays by Shifra M. Goldman, Papo Colo and Lucy R. Lippard.

Essays by Lucy Lippard, Shifra Goldman and Papo Colo
32 pages



$15

Krzysztof Wodiczko: New York City Tableaux: Tompkins Square, 1989
For this piece, Wodiczko created a new installation using projections to produce an environment. Comprehensive catalog includes essays by art historian Rosalyn Deutsche, Julie Courtney, a time line on Tompkins Square Park by Prof. Neil Smith, and extensive photo-documentation of the Homeless Vehicle.

Essays by Papo Colo, Rosalyn Deutsche, Julie Courtney, Neil Smil, Krzysztof Wodiczko and David Lurie
48 pages



$15

Sonia Balassanian, 1989
An installation of new work from the last two years of this Armenian American artist. The catalog includes essay by Donald Kuspit and documentation of the series of drawings.

Essay by Dnald Kuspit
8 pages



$10

1988 International Forum of Super 8, 1988
An international festival of Super 8 films that examined the international state of contemporary Super 8 filmmaking. Documentary catalog with commissioned essays by leading U.S. film critics and curators, reports from each of the curators, statements from the U.S. jurors, and a complete program listing.

Essays by Jordi Torrent, Keith Sanborn, Steven Gallagher, Alan Sondheim, Toni Treadway and Bob Brodsky
60 pages



$15

Martin Wong, 1988
An overview of the recent paintings inspired by his Lower East Side neighborhood. Catalog includes essay by John Yau, an introduction by Papo Colo and Jeanette Ingberman and documentation of works in the show.

Essay by John Yau
32 pages



$15

Videospain: Recent Videos from Spain, 1984-1987, 1988
Three nights of video screenings of work that was produced by video artists in Spain following Franco’s death. A catalog documenting the screenings includes an essay by Eugeni Bonet, introduction by Jordi Torrent, program notes, B&W images and biographical information on each of the 12 artists.

Essay by Eugeni Bonet
16 pages



$10

Pedro Lujan: Wood Sculpture, 1985
An exhibition of Lujan’s wooden sculpture from 1980 to 1985. Catalog has a hand-cut insert, an interview with Pedro Lujan by Jeanette Ingberman, biographical information and B&W reproductions of the work.

14 pages



$10

Surplus Show: Today’s Art in an Overpopulated City, 1985
A group show of thirty-three unknown and emerging artists. The catalog reproduced a commissioned B&W drawing from each of the artists in the show.



$10

Dirty Pictures, 1982
A group show of paintings and drawings with highly charged subject matter: sex, in one form or another, from the explicit to the merely suggestive.

Essays by Jeanette Ingberman and Papo Colo
24 pages



$5

Anton Van Dalen: The Memory Cabinet, 1950-1988
Brought together for the first time all the components of this artist’s work. The comprehensive catalog includes a critical essay by Carlo McCormick, an interview with the artist and Jeanette Ingberman, extensive biography and bibliography and photo-documentation of 30 years of work.

Essay by Carlo McCormick
32 pages



$15

Brainwave: Common Senses, 2008
An exhibition that responded to recent advancements in neurological research by visualizing and investigating the brain’s capacity for sense perception, memory, emotion and logic.


$7

Charles Juhasz-Alvarado: Complicated Stories, 2008
A ten year retrospective of work by this under-recognized Puerto Rican artist.


$7

Signs of Change: Social Movement Cultures 1960s to Now, 2008
Signs of Change presented hundreds of posters, photographs, moving images, audio clips, and ephemera that brought to life over forty years of activism, political protest, and campaigns for social justice.


$7

Killing Time, 2007
Killing Time, curated by Elvis Fuentes, Yuneikys Villalonga, and Glexis Novoa, focuses on the work of over seventy contemporary Cuban artists that have approached the subject of time.
Poster designed by Papo Colo



$5

Love / War / Sex, 2007
Love/War/Sex was a comment on our culture’s fascination with and addiction to war. It considered the conflation of those basic human instincts, a toxic combination manifested in images and stories coming out of Iraq.


$7

Renegades, 2006
A history of performance art work produced at Exit Art over its 25 year history.


$7

Homomuseum, 2005
Homomuseum investigated lesbian/gay/bisexual/transgender (LGBT) icons and histories that have made their mark on the political, social, economic, and cultural landscape.



$5

Terrorvision, 2004
An exhibition that examined how definitions of terror are shaped by individual and collective visions, experiences, memories, and histories.



$5

The Presidency, 2004
Exit Art asked artists to put into a visual feeling their concept of the presidency, exploring and responding to ideas of the presidential identity and the rules and structure of government.



$5

Exit Biennial: The Reconstruction, 2003
Artists were asked to create an installation as a metaphor for Exit Art’s renovation/reconstruction and its relationship to the new space and neighborhood.



$5

L-Factor, 2003
L Factor was a multidisciplinary arts project that investigated the fusion of Latino language and culture into mainstream ’American’ culture of the United States.


$7

Reactions, 2002
An investigation of how the events of September 11, 2001 altered people’s behavior toward others, the city, and daily life; how the events changed their perceptions of reality and the world at large.



$5

Conspiracies 1994: Experimental Film Weekend, 1994
The seventh annual series that featured new experimental films by New York-based independent filmmakers and was critically recognized for outrageousness of spirit and sharp discernment in presenting a curated summary of the year’s most exciting experimental films.



$5

The Mouth Inside The Eye, 1994
Conceived of as a program mixing poetry and gesture, The Mouth Inside the Eye breathed life into the written word through two evenings of poetry, dance, performance, and music.



$5

Fever, 1992
A dynamic group show of 47 artists, Fever was an expression of the pulse of the youth of the country, addressing issues of sexuality, political activism and a new aesthetic attitude in formation.



$5

Parallel History: The Hybrid State, 1991
An exhibition in which the artists’ conceptions were revealed through the curator’s installation of each work, providing a commentary on the different margins of culture.



$5

The Hybrid State Films, 1991
A two-week festival that showcased recently produced independent films and videos about the hybrid cultures of migrants, exiles, and the burgeoning postcolonial communities around the world.



$5

Films With A Purpose, 1987
Films With A Purpose:A Puerto Rican Experiment in Social Films was a presentation of screenings, symposia, and lectures concerned with a group of docu-drama films produced in Puerto Rico from 1940 to 1960 as part of a government initiative for community education and self-help programs.


$7

Immigrants and Refugees:Heroes or Villians, 1987
An exhibition that examined the important political and aesthetic contribution of immigrant artists to the history of contemporary American art.


$7

Forbidden Films: A Historical Survey of Censorship in Films, 1984
Organized in conjunction with the New York Public Library, this three month long film series examined seventeen films that were challenged, banned, or censored by city and state censor boards or prosecuted in the Supreme Court because of issues of violence, politics, racism, or sexuality.


$7

Illegal America, 1982
This historical show examined artists’ work, 1930-1982, from the United States, Europe, and Japan, who in the process of making their work came into conflict with the law, challenging issues of legality and censorship.


$7