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EXIT HISTORY:
Terrorvision
5/1/2004 - 7/31/2004
Curator(s): Papo Colo and Jeanette Ingberman
Artists: Yochai Avrahami, Francisca Benitez,
Barbara Broughel, Gabriel Camnitzer, Uri Dotan, Christoph Draeger,
Joy Garnett, Gideon
Gechtman, Cheo Goya, Michal Heiman, Robert Hickman, Saoirse Higgins,
Gary Keown, Fawad Khan, Kosyo, Peter Kuper, Gillian Laub, Flash
Light, Reuben Lorch-Miller, Jason Lujan, Dennis K. McGinnis, Arnaldo
Morales, Joel Murphy, Iván Navarro, Lior Neiger, Kevin Noble,
Rodrigo Piza, Frank Raczkowski, Simon Schiessl, Tamar Schori, Ariela
Shavid, Mike Peter Smith, Florin Tudor, Liselot van der Heijden,
Mona Vatamanu, Gal Weinstein, Paul Wirhun, Pavel Wohlberg, Francois
Zelif, Laurie Halsey Brown, Norman Cowie, Carina Gosselé,
Mark Gould, Michael Hermann, Bill Jones, Naomie Kremer, Michael
Laird, Elahue Massumi, Ben Neill, Nurit Newman, Predrag Pajdic,
Jayce Salloum, Martin Sastre, Michal Sedaka, Doron Solomons, Millette
Tapiador, Claudia X. Valdes, Michael Zansky, Anabela Zigova
Exhibition: Terrorvision examined how definitions
of terror are shaped by individual and collective visions, experiences,
memories,
and histories. This exhibition explored how personal, spiritual,
and physical events influence our notions of terror and how these
unforgettable moments, and the cultural and media artifacts that
represent them, have come to define our most extreme fears. This
exhibition aimed to explore how these definitions and relationships
are transformed and determined by geography, generation, and
personal experience. Terrorvision was designed to serve as a study
of terror
as depicted through the ingenuity and inventiveness of today’s
artists. Thirty-five new visual works were presented alongside
an ongoing video program, discussion series, and special video
screening events.
Public Execution
6/12/2004 - 7/31/2004
Curator(s): Michele Thursz, Anne Ellegood, Defne Ayas
Artists: Elena Bajo & Warren Neidich, Tobias Bernstrup, Beth
Coleman & Howard Goldkrand, Electronic Disturbance Theater,
Koken Ergun, Brendan and Patrick FitzGerald, Michelle Handelman,
Will Kwan, Yucef Merhi, Maciej Wisniewski, Serkan Ozkaya, Jonah
Peretti, Paper Rad, Siebren Veersteeg, Kelley Walker, xurban.net,
Ricardo Miranda Zuniga, BEIGE, Radical Software Group
Exhibition: Proposing new possibilities for the
genre of public art inspired by accessibility to and proficiency
with technological
tools and their impact on cultural production and social systems,
the works in this exhibition existed predominantly outside the
conventional white cube gallery space. Works “on view” were
integrated into the facade of the Exit Art building, off-site in
outdoor spaces and various arts institutions and retail stores,
on the internet, and through a series of interventions, performances,
video programs, and panel discussions addressing a range of topics
proposed through the exhibition.
The Presidency
10/2/2004 - 11/21/2004
Curator(s): Papo Colo and Jeanette Ingberman
Artists: Jonathan Allen, Timothy Blum, Rutherford Chang, Lisa
Charde, Sarah Christman, Mark Cooley, Lowell Darling, Yevgeniy
Fiks, Christy Gast, Guerrilla Girls, Anthony Hamboussi, Ryan Holsopple,
Robert Janz, Packard Jennings, Charles Juhasz-Alvarado, Jan Jakub
Kotik, Peter Kuper, Nate Larson, Les LeVeque, Flash Light, Whitney
Lynn, Bonita Makuch, Mitchell Marco, Yucef Merhi, Diane Nerwen,
nico y katiushka, Predrag Pajdic, Francis Michael Palazzolo, Cristian
Pietrapiana, Jane E. Powers, Kevin C. Pyle, Michael Rich, Agatha
Wara Romero, Anne Rowland, Todd Severson, Chris Shaw, Jen Simmons,
Monica Sheets, Liselot van der Heijden, Arbuzo Virtmanis
Exhibition: The office of the President of the United States is
one of the most visible positions in the world. The President symbolizes
not only the characteristics and abilities of the nation, but also
the substantial power that influences world and domestic affairs.
The President governs our country, oversees our government, impacts
our lives, and shapes our future. For The Presidency Exit Art asked
artists to put into a visual feeling their concept of the presidency.
The president is the body of the nation. Who is this individual
who every four or eight years changes? How does that change the
image the country has of itself? How does it affect how other
countries see us? Who is your ideal president? Who runs the country?
What
is the structure of the government? What is the role of the cabinet?
How and by whom is the president elected? What can we do to control
that power? Is the presidency a symbol more than the person,
a portrait of the power of the country? This exhibition was about
knowing the rules of government, interpreting them, and giving
our opinions.
The Print Show
12/4/2004 - 1/30/2005
Curator(s): Papo Colo and Jeanette Ingberman
Artists: Vito Acconci, Laylah Ali, Janine Antoni, Ida Applebroog,
Donald Baechler, Chakaia Booker, Louise Bourgeois, Nina Bovasso,
David Byrne, Patty Chang, Papo Colo, Petah Coyne, Nicole Eisenman,
Inka Essenhigh, Daniella Dooling, Orly Genger, Ava Gerber, Judy
Glantzman, Leon Golub, Gregory Green, Ann Hamilton, Jane Hammond,
Peter Hildebrand, Alfredo Jaar, Kim Jones, Brad Kahlhamer, Jerry
Kearns, Sol LeWitt, Glenn Ligon, LOT-EK, Kerry James Marshall,
Julie Mehretu, Sean Mellyn, Frank Moore, Elizabeth Murray, Shirin
Neshat, Catherine Opie, Tom Otterness, Tony Oursler, Yigal Ozeri,
Roxy Paine, Gary Panter, Bruce Pearson, Judy Pfaff, Paul Pfeiffer,
Ruth Root, Michal Rovner, Rudy Royval, David Scher, Shahzia Sikander,
Amy Sillman, Gary Simmons, Lorna Simpson, Kiki Smith, Nancy Spero,
Pat Steir, Do-Ho Suh, Fred Tomaselli, Michael Tong, Richard Tuttle,
Nari Ward, Carrie Mae Weems, Terry Winters, Su-en Wong, Lynne Yamomoto,
Lisa Yuskavage, Daniel Zeller
Exhibition: Since 1995, Exit Art has annually produced a limited
edition set of individually hand-worked artist prints. Created
exclusively for Exit Art, each portfolio matches younger and more
established artists and includes at least one artist working in
the print medium for the first time. Many of the artists have taken
the opportunity of working in Exit Art's print editions to experiment
with the printmaking medium, pushing the boundaries of contemporary
printmaking through different processes, materials, and form. The
entire collection can be seen as a history of contemporary printmaking.
These exceptional editions are collected by the Metropolitan Museum
of Art, the Whitney Museum of American Art and MoMA, as well as
important private collectors and first time collectors alike. The
annual benefit print portfolio helps support Exit Art's innovative
exhibitions, programs, and special initiatives. The Print Show
will feature all eight benefit portfolios: Six x Four (2004), In
the Year Three (2003), Two O O One (2001), twoandthreezeros (2000),
Exit 99 (1999), EXIT 8 (1998), Way In Way Out (1997), Way Cool!
(1995)
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