TITLE: Paradise Now: Picturing the Genetic Revolution
WHEN: September 9 to October 28, 2000
WHERE: Exit Art 548 Broadway, Between Prince St.& Spring St., SoHo, NYC 10012-3916
WHAT: Paradise Now is the first major
exhibition to identify key work by artists who are examining the meaning and
urgent implications of dramatic breakthroughs in genetic research, and is the
centerpiece of a city wide program.
The artworks on view in Paradise Now are of the moment-that is, innovative in content or
rendering--and include both seminal works that have become benchmarks in the field as well as new work being exhibited
for the first time. Media encompasses installation and mixed-media works, interactive and on-line projects, photographs,
painting and sculpture. Works address a number of major issues, including:
Race - The implications of genetic research confirming that humans of all races are 99.9 percent genetically
the same.
Economics - Ownership of genes and whether they should be patented and sold to the highest bidder
Reproduction - Germ-line gene therapy and how it could be used to design babies and/or improve the health
of human beings before they are born.
Privacy - DNA identification and who has access to the information
Health - How gene therapy and new technologies will be used to prevent and treat disease
Food Safety - Risks and benefits of genetically engineered food crops and animals
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Featured Works From the Exhibition
Alexis Rockman
The Farm (2000)
Oil and acrylic on wood panel, 8' x 10'
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Paradise Now is divided into two sections:
Works addressing research into the nature of the human genome.
Works exploring the implications of biotechnology on animal and plant life.
Highlights of the first section include:
Imaginary school portraits by Bradley Rubenstein that depict children who stare at the viewer with the loyal,
blank--and transplanted--eyes of Cocker Spaniels;
An interactive "photo booth" where visitors can scan their own facial image into a computer and have it
transformed into five different ethnic variations (created by photographer Nancy Burson and titled The
Human Race Machine);
Iņigo Manglano-Ovalle's twin cryogenic sperm banks color-coded pink and blue by the artist and stocked
accordingly with sex-selected sperm samples.
Among the highlights of the second half of Paradise Now:
A seven-foot-tall marble sculpture of a mouse created by Bryan Crockett as an homage to man and to
mouse--in this case the "Oncomouse" developed to aid cancer research;
An oversized living portrait of sun bathers on a beach rendered in genetically engineered, photosensitive grass
by the British team of Heather Ackroyd and Dan Harvey;
The Farm (2000), a startling, large-scale canvas illustrating the farm of the future by Alexis Rockman;
Genesis (1999), in which Eduardo Kac converts a passage from the Book of Genesis into DNA code and
then applies that code to create a form of living bacteria. The metamorphosis is continued even further: as
people all over the world connect to the piece via the Internet, their on-line "visits" activate a light box, which
in turn spurs the growth of the bacteria. The bacteria is seen in real-time in the installation via computer
monitor.
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39 artists from around the world will
be participating in Paradise Now:
Heather Ackroyd & Dan Harvey
Suzanne Anker
Dennis Ashbaugh
Aziz + Cucher
Brandon Ballengée
Christine Borland
Nancy Burson
Helen Chadwick
Kevin Clarke
Keith Cottingham
Bryan Crockett
Hans Danuser
Christine Davis
Mark Dion
George Gessert
Rebecca Howland
Natalie Jeremijenko
Ronald. Jones
Eduardo. Kac
David Kremers
Jane Lackey
Julian. LaVerdiere
Iñigo Manglano-Ovalle
Karl S. Mihail & Tran T. Kim-Trang
Larry Miller
Steve Miller
Frank Moore
Alexis Rockman
® ark
Bradley Rubenstein
Nicolas Rule
Christy Rupp
Gary Schneider
Laura Stein
Eva Sutton
Catherine Wagner
Carrie Mae Weems
Gail Wight
Janet Zweig
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Panel Discussions in conjunction with the exhibition Paradise Now are
co-sponsored by Gene Media Forum and Exit Art:
"What Can We Expect?"
Wednesday, September 20, 2000 7-9:15pm at
Harold M. Proshansky Auditorium, The Graduate Center City University of New
York 365 Fifth Avenue at 34th Street, limited seating, please
call 212-826-1531 for tickets.
"Picturing the Genetic Revolution"
Saturday, October 14, 2000 2-4pm at Exit Art 548 Broadway between Prince and
Spring Streets limited seating, please RSVP at 212-966-7745 x-21
Citywide Program Concurrent with the exhibition:
Three large-scale commercial billboards featuring newly commissioned artwork will be stationed in Lower
Manhattan by the public art presenter, Creative Time;
A series of public programs will be presented by an international center for information on genetic research,
The Gene Media Forum of the S. I. Newhouse School of Public Communications, Syracuse University, in
collaboration with Exit Art;
A new public opinion poll on Americans' attitudes towards different aspects of genetic research will be
undertaken by The Gene Media Forum in conjunction with the exhibition; · Roz Chast, Maira Kalman and
other artists will design a series of humorous paper coffee cups that will be available at Exit Art during the
exhibition period.
ORGANIZERS: Marvin Heiferman and Carole Kismaric, Lookout
 
 
 
 
         
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Exhibition Design: Constantin Boym and Boym Partners Inc.
Video: A video by the Emmy Award-winning team Kathy Brew and Roberto Guerra be shown in part in the exhibition
and distributed in its entirety to colleges, university galleries and museums across the U.S. and Internationally.
Web site: www.geneart.org
Sponsorship: The Bohen Foundation, Jerome Foundation, The Joy of Giving Something, Inc., Roy and Niuta Titus
Foundation, the New York State Council on the Arts, and members of Exit Art
Exit Art hours are Tuesday to Friday, 10AM - 6PM; Saturday, 11AM - 6PM Cafe
Hours: Friday, 10AM - 6PM, Saturday 11AM - 6 p.m. The galleries are closed on Sunday and Monday.
The
suggested contribution for admission is $2.00, which goes to support Exit Art's programs.
For more information, please call 212-966-7745 or email info@exitart.org.
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