Exit Art Podcast

Exit Art podcast 1 - Traffic

info@exitart.org — Thu, 13 Oct 2005 05:07:55 GMT

Jeanette and Jodi talk about the Traffic exhibition

Holiday Windows

info@exitart.org — Thu, 22 Dec 2005 05:07:55 GMT

Interviews with the artists from our current exhibition the Holiday Windows, which is on view 24 hours a day through January 1, 2006.

The Studio Visit - 1

info@exitart.org — Fri, 13 Jan 2006 09:07:55 GMT

Short videos from Exit Art's new show, The Studio Visit. Over 140 artists have made short films about their studio practise and the results will be on view at Exit Art through January 28. Will Cotton, j. morrison, Rob O'Neill, Bill Rabinovitch, Anne Spurgeon, Michael Rich

The Studio Visit - 2

info@exitart.org — Fri, 20 Jan 2006 09:07:55 GMT

Short videos from Exit Art's new show, The Studio Visit. Over 140 artists have made short films about their studio practise and the results will be on view at Exit Art through January 28. Joyce Pensato, Judy Glantzman, Alex Racine, Jerry Kearns, Mika Rottenberg

prayingproject

info@exitart.org — Fri, 3 Feb 2006 09:07:55 GMT

A documentary about last year's performance event Praying Project, featuring interviews with the artists and curators and footage of the performances.

The Drop - Artist Interviews

info@exitart.org — Wed, 17 May 2006 09:07:55 GMT

An exhibition on environmental issues relating to water.

The Drop - Walking Tour

info@exitart.org — Thu, 18 May 2006 09:07:55 GMT

Walking tour with Alan Sonfist.

The Drop - Panel Discussion Part I

info@exitart.org — Tue, 23 May 2006 09:07:55 GMT

The Drop, Panel Discussion: Water Challenges Facing New York City.

The Drop - Panel Discussion Part II

info@exitart.org — Wed, 24 May 2006 09:07:55 GMT

The Drop, Panel Discussion: Water Challenges Facing New York City.

The Drop - Panel Discussion Part III

info@exitart.org — Sat, 8 Jul 2006 09:07:55 GMT

The Drop, Panel Discussion: Water Challenges Facing New York City.

The Drop - Panel Discussion Part IV

info@exitart.org — Sun, 9 Jul 2006 09:07:55 GMT

The Drop, Panel Discussion: Water Challenges Facing New York City.

Exit Art presents: Electric Lab

info@exitart.org — Wed, 3 Oct 2007 05:07:55 GMT

A look inside Exit Art's current exhibition, Electric Lab, running though November 17th, 2007. Electricity is one of life’s most fundamental forces; it courses through our bodies and powers our computers. Today, the shortage and high cost of electricity is a pressing issue. The rethinking of energy production and consumption is imperative as we face depleted natural resources, environmental damage, and exponential population growth. Artists include: Jamie Allen, Bruce High Quality Foundation, Kelly Dobson, Aaron S. Davidson, Melissa Dubbin, Arthur Elsenaar, Flash Light, Erik Guzman, LoVid, Jeff Matney, Brendan McGillicuddy, Bryan Mesenbourg, Arnaldo Morales, Marco Roso, Remko Scha, Simon Schiessl, Gregory Shakar, Luke Stettner, Hap Tivey, Seth Weiner and Revel Woodard.

Exit Art and Trickster Theater present: prayingproject

info@exitart.org — Wed, 10 Oct 2007 12:55:55 GMT

Performances on April 15-17, 2005 3-9pm. 21 performance artists explore prayer as an act of creativity, contemplation and auto-analysis. Performances were presented simultaneously on 8 stages in the 10th Avenue and 36th Street windows of Exit Art. Artists include: Rob Andrews, Sarah Chokyi Bauer, Paul Benney, Maria Bussmann, caraballo-farman, Karen Dolmanisth, Cécile Evans, Berioska Ipinza, Mayumi Ishino, Jae Rhim Lee, Annie Murdock, Nico y Katiushka, Laura Nova, Yasira Nun, Praxis, Pasha Radetzki, Chemi Rosado-Seijo, Aki Sasamoto, Jeffrey Schiff, Mark Stafford, Riva Weinstein, and Beatrice L. Wolert.

Exit Art and Trickster Theater present: Water Project

info@exitart.org — Thu, 18 Oct 2007 14:23:55 GMT

Performances on June 3rd and 10th, 2006. As we become increasingly aware of the global water crisis we are forced to consider our personal relationship to water. Using their bodies, the participating artists address issues such as contamination, shortages, filtration, hygiene, and ritual. Performances will take place simultaneously on two separate evenings at Exit Art. Although each artist addresses the specific topic in his/her own unique performance, the pieces function collectively as one theatrical presentation. Artists include: Rob Andrews, Mayumi Ishino, Saeri Kiritani (with Karen Sorensen, Mark Ransom, Jennifer Scott Mobley, and Michael Divorkin), Jodie Lyn-Kee-Chow, Nicoykatiushka, Jolie Pichardo, Pasha Radetzki, Rafael Sanchez, Akiko Sasamoto, Jeffrey Schiff and Mark Stafford (with Oliver Jones, Matt Lucash, Kevin Reay and Austin Shul). Directed by Papo Colo.

Exit Art and Trickster Theater present: Wild Girls

info@exitart.org — Wed, 24 Oct 2007 14:23:55 GMT

Performances on June 24th and August 26th, 2006. Wild Girls explores ideas concerning contemporary feminism and gender identity. The performances function collectively as one theatrical presentation, although each artist addresses a specific topic in his/her own unique piece. Artists include: Ogechi Chieke, Mayumi Ishino, Saeri Kiritani, Jodie Lyn-Kee-Chow, Oleg Mavromatti, Wanda Ortiz, Jolie Pichardo, Boryana Rossa, Akiko Sasamoto with Jeffrey Schiff, and Traci Tullius. Directed by Papo Colo.

Exit Art and Trickster Theater present: Serious Games

info@exitart.org — Wed, 31 Oct 2007 14:23:55 GMT

Performances on January 20th and 27th, 2007. Serious Games - The Play of Chance Inside the Play of Luck. Artists include: Rob Andrews, Eduardo Cintron, Mayumi Ishino, Saeri Kiritani, Jodie Lyn-Kee-Chow, Wanda Ortiz, Jolie Pichardo, Pasha Radetzki, Boryana Rossa, Rafael Sanchez with Jonathan Hyppolite, Mark Stafford, Traci Tullius. Directed by Papo Colo.

Exit Art and Trickster Theater present: Construct

info@exitart.org — Wed, 7 Nov 2007 14:23:55 GMT

Performances on March 17th and 24th, 2007. Construct - exploring ideas of building and layering. Artists Include: Rob Andrews, Eduardo Cintron, Boryana Rossa, Oleg Mavromatti, C. Ryder Cooley, Saeri Kiritani, Jolie Pichardo, Pasha Radetzki, Rafael Sanchez, Aki Sasamoto, Mark Stafford, Eun Woo Cho. Directed by Papo Colo.

Exit Art and Trickster Theater present: Tropical Area

info@exitart.org — Wed, 14 Nov 2007 17:23:55 GMT

Performances on June 16th and 23rd, 2007. Tropical Area explores geography, the influence of climate over behavior, the exotic nature of tourism, the positive and negative impact of isolation, and the will to reach beyond borders. Tropical Area is a study by dynamic visual actors that are combining sexuality, geopolitics, mythology and beach culture into an evening of effervescence and brainy entertainment, a continuous visual and physical ponder in your spirit. The artists perform simultaneously as they assume characters that provoke the constant atmosphere of the tropics. Artists Include: Rob Andrews, Eun Woo Cho, Saeri Kiritani, Julia Mandle, Oleg Mavromatti, Jolie Pichardo, Pasha RA, Boryanna Rossa, Rafael Sanchez and Jesus Sendòn and Aki Sasamoto. Directed by Papo Colo.

Love/War/Sex: The Rude Mechanical Orchestra

info@exitart.org — Wed, 5 Dec 2007 17:23:55 GMT

December 1st, 2007: at the opening of Exit Art's newest program, Love/War/Sex, The Rude Mechanical Orchestra, New York City's radical marching band, performs. Love/War/Sex considers memory, history, ornaments, weapons and personal stories. This exhibition connects longing with violence and love with war, imagining the business of war in all its sexual manifestations. As a cultural space, we want to respond to current global conflicts by presenting this exhibition Love/War/Sex, a comment on our culture’s fascination with, and addiction to, war.

Love/War/Sex considers the conflation of those basic human instincts—a toxic combination manifested in images and stories coming out of Iraq. The works relate disparate issues such as weapon infatuation, war nostalgia, and the sexualization of violence to form an overall image of war as a perversely necessary part of our culture.

The exhibition incorporates video, sculpture, wallpaper, and a selection of weapons and military vehicles – the very tools that perpetuate societal shifts and make war possible —on loan from the Military Museum of Southern New England. The walls of the gallery will be papered with personal stories, imagining war conjured from texts.

The Rude Mechanical Orchestra is a New York City-based radical marching band. We exist in order to serve the efforts of progressive and radical groups and causes. We have and will continue to play for events that support feminism and women's rights, the queer community, labor, the environment, social and economic justice, peace and community self-determination. We pledge to fight racism, sexism, homophobia, war and violence in all its forms. Through our music, we strive to bring joy and inspiration to these communities and to bring new people into radical causes. Internally, we work towards being a safe, welcoming place for all genders and gender identities, ages, races, backgrounds, sexual orientations, disabilities and musical skill levels. Through our musical selections, we pay tribute to the world's cultures and the revolutionary role music has played throughout history.

Love/War/Sex

info@exitart.org — Thu, 13 Dec 2007 17:23:55 GMT

Love/War/Sex considers memory, history, ornaments, weapons and personal stories. This exhibition connects longing with violence and love with war, imagining the business of war in all its sexual manifestations. As a cultural space, we want to respond to current global conflicts by presenting this exhibition Love/War/Sex, a comment on our culture’s fascination with, and addiction to, war.

Brainwave:Common Senses

info@exitart.org — Wed, 5 Mar 2008 13:23:55 GMT

BRAINWAVE: Common Senses responds to current advancements in neurological research by visualizing and investigating the brain’s capacity for sense perception, memory, emotion and logic. The artists in this exhibition redefine this research in a different way, abandoning literal representations of the brain and categorical analysis in favor of works that take, as starting points, elements from neuroscience and flipping these ideas on their heads. These works create an alternate discourse between art and science, encouraging the viewer to consider the brain not only as the center of human activity but as a site for interpretation. This exhibition presents the brain as a site for scientific and philosophical debates, for examining our relationship to the world – and for questioning our common sense.

Artists include: Suzanne Anker, David Bowen, Steve Budington, Phil Buehler, Andrew Carnie, George Jenne, Daniel Marguiles and Chris Sharp, Fernando Orellana and Brendan Burns, Jamie O'Shea, SERU, Devorah Sperber, Naho Taruishi and Dustin Wenzel.

S.E.A. presents: E.P.A.

info@exitart.org — Thu, 13 Mar 2008 16:23:55 GMT

Exit Art is pleased to announce the opening of E.P.A. (Environmental Performance Actions), the first project of S.E.A, a large-scale program dealing with current environmental concerns and the way artists respond to them. E.P.A is a group exhibition surveying recent performance work from around the world that addresses current environmental crises. The exhibition will consist of videos, photographs, texts, related ephemera and a film program documenting recent performances. For this opening project we have invited curator, Amy Lipton, and founder/co-curator Patricia Watts of ecoartspace, a leading international environmental arts organization, to collaborate with Exit Art on the organization and presentation of this material. E.P.A. will include performance documentation from more than 30 international artists. These works, created in the public sphere, draw attention to and engage the public in a dialogue about issues such as climate change, watersheds, urbanization and, ultimately, human survival. E.P.A. will set the precedence for future exhibitions of S.E.A. dealing with environmental issues including The End of Oil, about the global oil crisis and alternative energy, and Consume, about food production, agricultural and sustainable living practices. An exhibition of historical social-environmental art works is also planned to place this work in context.

Artists include: Brandon Ballengée, Vaughn Bell/Sarah Kavage/Nicole Kistler, Mark Brest van Kempen, Carissa Carman/Joanna Lake, Susanne Cockrell/Ted Purves, Xavier Cortada, Carrie Dashow/Jesse Pearlman Karlsberg, Erica Fielder, Ozzie Forbes, Futurefarmers, The Center for Tactical Magic, Fritz Haeg, Amy Howden-Chapman, Basia Irland, Scot Kaplan, Carolyn Lambert, Robin Lasser, Kathryn Miller, Miss Rockaway Armada, Matthew Moore, Eve Mosher, EcoArtTech: Cary Peppermint/Christine Nadir, Andrea Polli and Joe Gimore with Dr. Patrick Market, Rapid Response (Cobb/Fend/Fischer/Meyer), James Reed and Social Sculpture Research Unit/Earth Agenda Projects, Austin Shull, Brooke Singer/Brian Rigney Hubbard, Anne-Katrin Spiess, and Chris Sollars.

E.P.A. opens Saturday, March 15th and runs through May 3rd.

S.E.A. Presents "HumanNature": a Discussion on Climate Change

info@exitart.org — Wed, 9 Apr 2008 16:23:55 GMT

An excerpt from a panel discussion with artist Eve Mosher, climate change scientist David Van Luven, and eco-art curator Patricia Watts. The Discussion centers on the implications of climate change on New York City’s landscape and community – and exploring how art can connect human beings with the awareness of larger environmental issues. Eve Mosher’s "High Water Line" traces 10-feet above sea level to mark the potential danger of increased flooding brought on by stronger and more frequent storms as a result of climate change. High Water Line, which took place in 2007 on the New York waterfront, gives an immediate visual and local understanding of the impact of climate change. "High Water Line" is a part of E.P.A. E.P.A. (Environmental Performance Actions) is the first project of S.E.A, a large-scale program dealing with current environmental concerns and the way artists respond to them. E.P.A is a group exhibition surveying recent performance work from around the world that addresses current environmental crises. The exhibition will consist of videos, photographs, texts, related ephemera and a film program documenting recent performances. For this opening project we have invited curator, Amy Lipton, and founder/co-curator Patricia Watts of ecoartspace, a leading international environmental arts organization, to collaborate with Exit Art on the organization and presentation of this material. E.P.A. will include performance documentation from more than 30 international artists. These works, created in the public sphere, draw attention to and engage the public in a dialogue about issues such as climate change, watersheds, urbanization and, ultimately, human survival. E.P.A. will set the precedence for future exhibitions of S.E.A. dealing with environmental issues including The End of Oil, about the global oil crisis and alternative energy, and Consume, about food production, agricultural and sustainable living practices. An exhibition of historical social-environmental art works is also planned to place this work in context.

E.P.A. runs through May 3rd.

Charles Juhasz-Alvarado: A Conversation about Art, the Island and the U.S.

info@exitart.org — Thu, 22 May 2008 18:23:55 GMT

An excerpt from a discussion with artist Charles Juhasz-Alvarado and Deborah Cullen, Director of Curatorial Programs at El Museo del Barrio, New York. The talk will cover themes and political implications in Juhasz-Alvarado's work and will investigate his process. In this Excerpt, Juhasz-Alvorado explores an incident leading to the creation of one of his pieces and the nature of Puerto Rico. Charles Juhasz-Alvarado: Complicated Stories will present the artist’s past and present bodies of works as an ongoing dialogue on social consciousness and cultural identity. Charles Juhasz-Alvarado’s elaborate site-specific installations engage the viewer through narrative, performance, audio, and sculpture to introduce a fantasy world that serves as an acute and humorous allegory of today’s multicultural society and the artist’s own background. In this age, where many artists outsource their work or divide the labor of creating their work among several people, Charles Juhasz-Alvarado has mastered the literal crafting involved in constructing his visions. He works hands-on, asserting his complete control over all aspects of his imagination. The artist himself is not only seen in the concept, but manifests himself in the shaping of steel, in the shaving of wood, so that when the viewer enters the installation, the works involve the viewer in one coherent thought. Juhasz-Alvarado was chosen to be Puerto Rico’s representative at the Bienal de Saõ Paulo, Brazil (2002). He has also exhibited in: Octava Bienal de La Habana, Havana, Cuba (2003); II Biennale of Contemporary Art, Prague, Czech Republic (2005), Zverev Center for Contemporary Art in Moscow, Russia (2006), and most recently at the Singapore Biennale (2006). His most recent solo exhibition was at desM Galeria Petrus, Santurce, Puerto Rico (2005). This will be the artist’s first solo exhibition in New York. This major project, Charles Juhasz-Alvarado: Complicated Stories, will be a vital opportunity to survey the work of this important contemporary artist and to introduce him to American audiences, where he has had limited exposure. Curated by Jeanette Ingberman and Papo Colo.

Charles Juhasz-Alvarado: Complicated Stories

info@exitart.org — Thu, 19 Jun 2008 15:43:55 GMT

Charles Juhasz-Alvarado: Complicated Stories presents the artist’s past and present bodies of works as an ongoing dialogue on social consciousness and cultural identity. Charles Juhasz-Alvarado’s elaborate site-specific installations engage the viewer through narrative, performance, audio, and sculpture to introduce a fantasy world that serves as an acute and humorous allegory of today’s multicultural society and the artist’s own background. In this age, where many artists outsource their work or divide the labor of creating their work among several people, Charles Juhasz-Alvarado has mastered the literal crafting involved in constructing his visions. He works hands-on, asserting his complete control over all aspects of his imagination. The artist himself is not only seen in the concept, but manifests himself in the shaping of steel, in the shaving of wood, so that when the viewer enters the installation, the works involve the viewer in one coherent thought. Juhasz-Alvarado was chosen to be Puerto Rico’s representative at the Bienal de Saõ Paulo, Brazil (2002). He has also exhibited in: Octava Bienal de La Habana, Havana, Cuba (2003); II Biennale of Contemporary Art, Prague, Czech Republic (2005), Zverev Center for Contemporary Art in Moscow, Russia (2006), and most recently at the Singapore Biennale (2006). His most recent solo exhibition was at des Galeria Petrus, Santurce, Puerto Rico (2005). This will be the artist’s first solo exhibition in New York. This major project, Charles Juhasz-Alvarado: Complicated Stories, will be a vital opportunity to survey the work of this important contemporary artist and to introduce him to American audiences, where he has had limited exposure. Curated by Jeanette Ingberman and Papo Colo.

Somehow

info@exitart.org — Wed, 30 Jul 2008 15:00:55 GMT

Exit Art and Trickster Theater's "Somehow" is "a precious lie that evolves to light in the darkness of us." Five actors explore Exit Art's "Brainwave: Common Senses" through monologues that span various issues inspired by the show. Memory, anxiety, literature, education, knowledge and mental disability all come into play through the original work. All material was written by the performers and prepared in collaboration with Papo Colo, founder and cultural producer of Exit Art. Performances took place April 16th and 17th, 2008. Actors/Writers include: Sarah-Violet Bliss, Jennifer Dees, Lily Burd, Maria Silverman, and Elia Monte-Brown. Directed by Papo Colo. Filmed by Jesse Garrison, Papo Colo and Geraldo Mercado. Edited by Jesse Garrison.

Summer Mixtape vol. 1: the Get Smart edition

info@exitart.org — Wed, 6 Aug 2008 15:30:15 GMT

Long after the cassette tape has become an obsolete relic of a clumsier analog era, the essence of the mixtape lives on through CDs and MP3 playlists. "Summer Mixtape Volume 1: the Get Smart edition" pays tribute to this vital form of popular expression with a group exhibition that compiles some of the hottest work from the New York area that the curators have seen all year. The curators looked back through previous calls for submissions, canvassed other curators and artists for recommendations, visited dozens of artists’ studios, and saw hundreds of shows to wind up with the 27 artists that make up Summer Mixtape Volume 1. The works in the exhibition cover a vast array of themes and mediums, mirroring the diverse mix of sights, sounds and cultures on the streets of New York. The show also features a jukebox programmed specifically for the exhibition that includes mixtapes and cover art produced by the artists and some special guests. Audio mixes are still made for long road trips, disc jockey sets, as mood-setters for parties, as surrogate love letters, and as outlets to hear the latest hip-hop hitting the streets. Yet despite its cultural ubiquity, the mixtape remains a durable emblem of the counter culture. Drawing on these influences, Summer Mixtape Volume 1 materializes the mixtape’s spirit of appropriation, customization, unabashed nostalgia and relaxed fun. Artists include: Martin Basher, Colby Bird, Tyler Coburn, Corey D’Augustine, Sarah Davis, Jason Duval, Cacy Forgenie, Donna Huanca, Rashid Johnson, Jayson Keeling, Joyce Kim, Dorota Kolodziejczyk, William Lamson, Kalup Linzy, Jeffrey Lopez, Marisa Olson, Rosemarie Padovano, Alyssa Pheobus, Thabiso Phokompe, Fay Ray, Ted Riederer, Jacolby Satterwhite, Xaviera Simmons, Nick Stillman, Thomas Torrescordova, Lan Tuazon, Yuh-Shioh Wong

Signs of Change

info@exitart.org — Thur, 30 Jul 2009 14:30:15 GMT

In Signs of Change: Social Movement Cultures 1960s to Now, hundreds of posters, photographs, moving images, audio clips, and ephemera bring to life over forty years of activism, political protest, and campaigns for social justice. Curated by Dara Greenwald and Josh MacPhee as part of Exit Art's Curatorial Incubator, this important and timely exhibition surveys the creative work of dozens of international social movements.

Négritude Dialogues

info@exitart.org — Thur, 31 Jul 2009 9:30:15 GMT

A Conversation with Négritude artists Vladimir Cybil Charlier Juste and André Juste Moderated by Thomas C. Spear, French and Francophone scholar and Professor of French at Lehman College (CUNY) and at the Graduate Center (CUNY). Vladimir Cybil Charlier Juste and André Juste have exhibited internationally, including in the 2007 Venice Biennial (Italy); the 2004 Cuenca Biennial (Ecuador); at the Museo de Arte Moderno (Puerto Rico); the Jersey City Museum (New Jersey); and the Studio Museum in Harlem (New York).

Négritude Dialogues

info@exitart.org — Thur, 31 Jul 2009 9:30:15 GMT

Racial Spacial Facial Glacial: A Group Lecture on the Architectonics and Antipsychotics of 4th-Stage Négritude and other Dub Strategies A conversation with ('VËRSION'), the newly formed collective of Xaviera Simmons, Arthur Jafa, and Greg Tate. Greg Tate, a cultural critic, journalist and author, has written extensively on racial identity in America and contemporary African-American culture. As co-curator of Négritude, he presented a three-room “Black Mystery Anti-Panopticon,” envisioning Négritude as a “place” for mystery, funk, music and soul. A DJ shrine, created by Tate and the artists Xaviera Simmons and Arthur Jafa, provides a site for performances within the exhibition.

Interactive Architecture: Reinventing Social Space

info@exitart.org — Wed, 20 Jan 2010 14:38:00 GMT

Lectures by Geoff Manaugh, Maria Aiolova and Natalie Jeremijenko as part of the exhibition WATERPOD: Autonomy and Ecology Geoff Manaugh is is the author of BLDGBLOG and The BLDGBLOG Book, as well as Contributing Editor at Wired UK. Maria Aiolova is a Co-Founder of Terreform One, a non-profit design group that promotes green design in cities. Natalie Jeremijenko is an artist, 1999 Rockefeller Fellow, and the director of the Environmental Health Clinic at New York University.

SEA Poetry Series, No. 3 with Laura Elrick

info@exitart.org — Fri, 22 Jan 2010 14:38:00 GMT

On December 10, 2009, Laura Elrick did a live poetic reading as narration for her film, Stalk. Following the reading, there was a panel response from Jess Levey, an artist in the SEA exhibition America for Sale; Adam Simon, a Brooklyn-based artist and the founder of alternative "space" Four Walls and the FineArt Adoption Network; and Elrick. Laura Elrick's Stalk is a critical outgrowth of the spatially investigative social poetics she gestures toward in her essay "Poetry, Ecology and the Reappropriation of Lived Space." Originally commissioned by the Kootenay School of Writing for the Positions Colloquium held in Vancouver in August 2008, Stalk documents a silent public performance (part dystopian-urban cartography, part spatial-poetic intervention) over which Elrick intones poetry and song constructed from appropriated text. This audio recording is of the panel discussion that followed Elrick's reading/screening. To watch Laura Elrick's narration of Stalk, please visit http://blip.tv/file/2192353/.